Sam Kim's

Fear in Porcelain

A Review by Janet Oh

review*

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Kensaku Shinohara's MT and Yoshiko Chuma's Dead End Series

A politically charged split-bill brings the concerns of Japenese choreographers to life on stage

review   *   Cameron McKinney   *   December 11 2016

review*

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Sam Kim's Fear in Porcelain

Sam Kim's "solo dancer" is challenged from the dark fringe of the spotlight

review   *   Janet Oh   *   December 1 2016

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Company Wang Ramirez's Monchichi

Wang Ramierez's hip-hop portrays the embodied listening required to meet someone else halfway

review   *   Cameron McKinney   *   October 31 2016

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Anne Teresa De Keersmaeker's Vortex Temporum

By confusing the distinctions between the arts, De Keersmaeker gives us time that we can feel and motion that we can hear

review   *   Angela Brown   *   October 24 2016

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Tim Etchells's Eyes Looking

For Etchells, the world's most prime advertising real estate is just more surface runoff

review   *   Mars Dietz   *   October 21 2016

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Maria Hassabi's STAGED

In framing slowness for the stage, Hassabi invites viewers to stop walking past her

review   *   Lydia Mokdessi   *   October 19 2016

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Jennifer Monson/iLAND's in tow

Monson and iLAND experiment with the horizon line just out of body's reach

review   *   Angela Brown   *   October 10 2016

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Takao Kawaguchi's About Kazuo Ohno

In trying on three seminal works by Kazuo Ohno, Kawaguchi attempts to reproduce butoh

review   *   Cameron McKinney   *   October 6 2016

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The Holy Body Tattoo's monumental

In maximalist corporate culture, business becomes disease

review   *   Devon Caranicas   *   September 29 2016