Sam Kim's

Fear in Porcelain

A Review by Janet Oh


mtanddeadendseries, 1mtanddeadendseries, 2mtanddeadendseries, 3

Kensaku Shinohara's MT and Yoshiko Chuma's Dead End Series

A politically charged split-bill brings the concerns of Japenese choreographers to life on stage

review   *   Cameron McKinney   *   December 11 2016


fearinporcelain, 1fearinporcelain, 2fearinporcelain, 3

Sam Kim's Fear in Porcelain

Sam Kim's "solo dancer" is challenged from the dark fringe of the spotlight

review   *   Janet Oh   *   December 1 2016


monchichi, 1monchichi, 2monchichi, 3

Company Wang Ramirez's Monchichi

Wang Ramierez's hip-hop portrays the embodied listening required to meet someone else halfway

review   *   Cameron McKinney   *   October 31 2016


vortextemporum, 1vortextemporum, 2vortextemporum, 3

Anne Teresa De Keersmaeker's Vortex Temporum

By confusing the distinctions between the arts, De Keersmaeker gives us time that we can feel and motion that we can hear

review   *   Angela Brown   *   October 24 2016


eyeslooking, 1eyeslooking, 2eyeslooking, 3

Tim Etchells's Eyes Looking

For Etchells, the world's most prime advertising real estate is just more surface runoff

review   *   Mars Dietz   *   October 21 2016


staged, 1staged, 2staged, 3

Maria Hassabi's STAGED

In framing slowness for the stage, Hassabi invites viewers to stop walking past her

review   *   Lydia Mokdessi   *   October 19 2016


intow, 1intow, 2intow, 3

Jennifer Monson/iLAND's in tow

Monson and iLAND experiment with the horizon line just out of body's reach

review   *   Angela Brown   *   October 10 2016


aboutkazuoohno, 1aboutkazuoohno, 2aboutkazuoohno, 3

Takao Kawaguchi's About Kazuo Ohno

In trying on three seminal works by Kazuo Ohno, Kawaguchi attempts to reproduce butoh

review   *   Cameron McKinney   *   October 6 2016


monumental, 1monumental, 2monumental, 3

The Holy Body Tattoo's monumental

In maximalist corporate culture, business becomes disease

review   *   Devon Caranicas   *   September 29 2016